Notes
Slide Show
Outline
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Close-Up / Macro Photography
  • Bruce Switalla


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Close-Up Photography Defined
  • Getting the camera very close to the subject, which is often small, or to show only a small part of a larger object.


  • Using techniques to get your focus as close as possible if “macro” mode is unavailable.
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Shooting Close-ups with Digital is Different from film cameras
  • Digital gives you instant feedback with the LCD screen
  • Digital allows for “digital zoom” to get an even closer look
  • And Digital cameras even vary from camera to camera on how you can achieve a macro photograph
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The Macro Setting
  • Look for the tulip icon on the camera body or in the Menus under “AF” (auto-focus)


  • Look in your camera manual for the minimum focusing distance and write it on the camera back!
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The Macro Setting
  • This mode allows for sharp pictures even from just a few inches away


  • Remember to switch back to normal mode when you’re done.  Otherwise you could fill your memory card with out-of-focus photos!
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The Parallax Problem
  • Rangefinder cameras don’t show the actual scene. Instead you look through a glass that imitates what the lens sees
  • As a result, the closer you get to the subject, the further off your framing gets
  • The view of your nose from each eye is a simple example of how this occurs
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Two Parallax Solutions:
  • Use the correction marks that are always displayed in your viewfinder. They help you frame your photo from the lens’s point of view, usually farther right and lower.


  • Since correction marks are a guess at best, use the LCD on the camera back.  It sees exactly what the lens sees and is a digital advantage!


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Add-on Lenses
  • If you want greater magnification, see if your manufacturer has these accessories for your model


  • If not, try some after-market products like the many choices at tiffen.com and Raynox brand at digitaletc.com


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Techniques and Tripods
  • Close-up photography involves very narrow depth of field (focus) necessitating steady hands or a tripod
  • As a result, first assignment will be still, non-living objects to get used to macro
  • A tripod is your best bet for sharp close-ups. Lightweight tripods will work for light cameras most of the time.
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Techniques and Tripods
  • Weigh the tripod down at the feet during windy days
  • Bean bags also work well for positioning the camera!
  • Use the self timer to avoid any camera movement or a very light touch on the shutter release
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Depth of Field Factors
  • The f/stop, or measured opening in the lens allowing light through. The smaller the opening, f/16, f22, the more is in focus
  • Lens focal length, e.g., 38mm, 100mm. The wider the angle, the more is in focus
  • Focus distance. The farther away the subject, the more is in focus.
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Where to Get More Information
  • Search the web for “close-up, macro, photography”.  Try ephotozine.com


  • Buy “How To Do Everything With Your Digital Camera, 2nd Ed.” by Dave Johnson, $6 from Amazon.com


  • Visit your local liberry!
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Assignment:
  • Five photos using the macro setting of your camera on inanimate objects.


  • A living objects assignment will come along next time


  • Do 1 “What is it?” photo